Thursday, February 24, 2011

Sony a850 - first impressions and pictures

Sony a850 28-75 f/2.8 SAM lens


BODY AND DESIGN

The Sony a850 looks very functional and daunting, but I think its very well designed. I'd worked out my way around it in a few minutes, and I still haven't looked at the manual! 


It is certainly heavier than I've been used to for a while. Its just under 900g and with the lens fitted is around 1450g. The camera is around the same weight as a Canon 7D or 5DMkII and lighter than a Nikon D700, all cameras I've used. 


However the Nikon D3X, its obvious competitor weighs 1310g, body only and fitted with a 24-70mm f/2.8 zoom weighs in at around 2200g. 


Handling is very good. There's a nice grip and everything falls into place very nicely. Its much closer to a Nikon than a Canon in terms of using it. It feels very well made indeed. Some Sony cameras can feel a bit cheap, not so the a850. 


Sony a850 28-75 f/2.8 SAM lens


The viewfinder is incredible. Very bright and large. No APS-C tunnel vision here. The rear screen is bright and sharp. The menus are clear and functional. Having used the A55 and now this I'm actually very impressed with Sony menus. Someone should make whoever designed the Olympus Pen menus look at these until they understand that menus should be SIMPLE!!!







Here's a couple of comparison shots with a GH2 fitted with the PanLeica 14-150mm zoom.

Sony a850 28-75 f/2.8 SAM lens

Sony a850 28-75 f/2.8 SAM lens

Its obviously bigger, though maybe not as much as you'd think.



Sony a850 28-75 f/2.8 SAM lens


OPERATION


AF is quick enough for me. I've just upgraded to the new firmware, which is supposed to improve that. I'm not a sports or news photographer, so don't need blistering fast AF. The a850 is reputed to be very accurate and I certainly haven't had any errors so far. This is more important to me than speed. One of the things that annoyed me with the Canon 7D, which had very fast AF, was that it sometimes misfocused even when it claimed to be correct. I'll find out if the a850 keeps getting it right after more use.


The shutter gives an almighty clunk when taking a picture, but the body stabilisation works very well. I took some pictures at 1/30th sec. using only one hand and there was no sign of camera shake. I do like Sony's body IS system very much. I think it works very well.


TAKING PICTURES


Just to get it out the way I took some shots indoors. Here's a couple at ISO 1600 and 3200. Both from raw and processed in Photoshop ACR.


Sony a850 28-75 f/2.8 SAM lens


Sony a850 28-75 f/2.8 SAM lens


I don't know if your reaction is the same as mine. Where's the noise? The stories of this camera and poor high ISO performance have been greatly exaggerated. I've seen some pretty dire examples posted on the internet, and I was expecting these shots to be pretty noisy. Well they're not. The camera actually turned out some pretty good results and what was interesting was that the raw files produced cleaner results from raw which is unusual. There's noise reduction on the raw files and the camera had this set to normal. However its not intrusive and the images were still very sharp. I took quite a few shots in pretty murky conditions and was very impressed. I haven't looked at ISO 6400 yet but up to ISO 3200 the files were very useable. I would have no hesitation in using this camera and lens for a wedding or indoor event, which certainly wasn't what I was expecting. Easily as good as a 7D and from what I remember very similar to the D3X, which is always regarded as a better camera for this kind of work. 


I will however put one observation in here. I do think the metering is out on this a850. In certain situations I think it underexposes by 1 stop. I had it set anything from +1/3 to + a full stop all the time I used it. The two examples above are +1 stop and they are certainly not over exposed. Whether this is Sony protecting the highlights or a camera variation I won't know as yet. Certainly the dynamic range is very good indeed.


Sony a850 28-75 f/2.8 SAM lens


In terms of outdoors, where its going to get most of its use, I loved the results. Even on a very dull day the pictures were sharp, with great colour and obviously incredible resolution. I was expecting results to not be as good as those from my D3X and that proved to be unfounded. I was also somewhat apprehensive about the (non-Zeiss) quality of the lens and that was also unfounded. Its actually turned in a great performance in very gloomy light. Most of my shots were in the f2/8 - f4 range and these were fine. It even focuses quite closely for a zoom, .38 metre or 1.2 ft. and the bokeh is better than I was expecting.


Sony a850 28-75 f/2.8 SAM lens


Sony a850 28-75 f/2.8 SAM lens


Sony a850 28-75 f/2.8 SAM lens


Sony a850 28-75 f/2.8 SAM lens


Its obviously very early days and I need to use it much more, but my initial impressions are very positive. So much so that I'm thinking that I missed an opportunity by not buying the a900 when it came out. I was very interested in that camera but was put off by the reviews and image samples that came out when it was initially announced. Not for the first time have I experienced something different with a camera than I would have expected from its internet assessment. 


I'm also beginning to wonder quite how Nikon justify the £5000 price tag for the D3X. The Nikon has a lot more speed, complexity and customisation possibilities, virtually none of which I ever used, but seeing as the a850 body cost me £1650 quite how Nikon explain the extra £3350 is somewhat of a mystery. There seems to be no compromise in the build quality of the a850 and the picture quality looks to be very similar to me, so maybe you do pay extra for the red stripe.


Another company that needs to look at its pricing in relation to a camera like this is Olympus. The Sony cost me about £150 more than a new E-5. In terms of the quality and size of the image produced this is plainly ridiculous. If Olympus had priced the E-5 sensibly I would probably have bought one and the a850 would have remained on the shelf. In terms of my first few hours with the Sony however I'm actually glad about that. It was a camera I hadn't really considered though I had always liked the look of it and the relative simplicity of its operation. It was my frustration with the dynamic range of my other cameras that led me to it, but then I still wouldn't have bought it without seeing the Photography Blog review


The Sony a850 strikes me as a somewhat neglected camera. I get the impression that the kit I bought has been sitting on the shelves of Warehouse Express for some time. The firmware in the camera was version 1.0 and the battery was stone dead, which usually isn't the case if regular stock replenishment occurs. It was also at a discounted price. At some UK dealers the camera alone is selling for more than I paid for the kit ! There are also rumours that the camera may be discontinued and the future of Sony full-frame is somewhat uncertain. I can't imagine that either this or the a900 have been big sellers.


I won't get ahead of myself but if my initial enthusiasm is confirmed by future use then I might have to make a few decisions about what to keep and what to head off to ebay. Certainly the high ISO performance has surprised me and the quality of the 28-75mm lens was also somewhat unexpected. The arrival of the a850 has been somewhat serendipitous but its certainly put a smile on my face. There's some sunshine forecast for today, and I must admit I haven't looked forward to going out to take some pictures this much in a while. 25MP and good light, can't be bad!



Thursday, February 17, 2011

Zeiss 18mm f/4 Distagon

Leica M9 Zeiss 18mm f/4 Distagon


It probably comes as no great surprise that a Zeiss lens on a  Leica M9 body takes great pictures. There would be something wrong if it didn't. The 18mm f/4 Distagon is a superb lens. I liked the Zeiss 21mm f/2.8 I had but this is sharper, with a great colour rendition. 


Leica M9 Zeiss 18mm f/4 Distagon


Leica M9 Zeiss 18mm f/4 Distagon


I tried zone focusing with it, using the depth of field scale, and it did work. Infinity is Infinity on this lens so the depth of field markers are accurate. However with lenses such as this the point of focus is so sharp that I prefer to focus on my main subject rather than just let the depth of field have everything more or less in focus. There's a couple of articles on this below.


http://en.wikipedia.org/wiki/Depth_of_field


http://www.rogerandfrances.com/photoschool/ps%20how%20zone%20focus.html


Leica M9 Zeiss 18mm f/4 Distagon


Leica M9 Zeiss 18mm f/4 Distagon


All of the raw files for these pictures were run through Cornerfix, which sorted out the vignetting. 


Leica M9 Zeiss 18mm f/4 Distagon


For me an M-Mount lens is just as liable to get used on a m4/3 camera as on my Leica. Trying it on my GH2 it was again very impressive. These below were tripod mounted shots at f/11 and the originals are very sharp indeed. The colours are absolutely spot on as well.


Panasonic GH2  Zeiss 18mm f/4 Distagon


Panasonic GH2  Zeiss 18mm f/4 Distagon


Panasonic GH2  Zeiss 18mm f/4 Distagon


Panasonic GH2  Zeiss 18mm f/4 Distagon


Panasonic GH2  Zeiss 18mm f/4 Distagon


Even at this small web size you should be able to see just how sharp this lens is in this last picture. Also its ability to render the various shades of green.


I also took some shots outdoors with the lens set wide open at f/4. 


Panasonic GH2  Zeiss 18mm f/4 Distagon


Panasonic GH2  Zeiss 18mm f/4 Distagon


Panasonic GH2  Zeiss 18mm f/4 Distagon


Panasonic GH2  Zeiss 18mm f/4 Distagon


Panasonic GH2  Zeiss 18mm f/4 Distagon


Again, even at these small sizes the definition in these shots should be apparent. f/4 is not a particularly fast aperture, but the wide open performance was still very impressive. It was sharp across the frame which is not always the case with wide-angle lenses like this.


So another excellent Zeiss lens. I was pleased with it because my last experience with a Zeiss 18mm wasn't so good.


zeiss


The 18mm Distagon SLR lens that I used in my Nikon and Canon DSLR's and m4/3 was a very disappointing lens. I bought it despite reading quite a few negative reviews and after using it for a while wished I'd taken more notice of them. It did produce quite soft results, and had very poor edge definition even when stopped down.


This time the reviews I read of the 18mm M-mount were much more positive, and the lens has proved to be as good as they say. 


I first encountered Zeiss lenses some years ago when I used a Contax film camera. With only the one exception I have found them to be excellent. This 18mm Distagon is one of the best.


I'm pleased with it because of the difficulties I've had finding a really good wide angle lens. Many I've used have performed well stopped down or had good centre performance but have proved less good wide open or sharp across the frame.


One example of this is the Pentax 15mm f/4 limited lens I have for my Pentax K-5. While it gives excellent results stopped down, at f/4 its very soft at the edges, while being sharp at its centre. For some pictures that often doesn't matter but it can be a problem.


food shop


bewdley


I do like the lens, and it has a really nice colour rendition, but getting a wide-angle right, even with a prime lens doesn't seem to be as simple as you would think. However Zeiss have done a good job with the 18mm f/4 Distagon.


Words - David
Images- David and Ann








Tuesday, February 15, 2011

Leica M9 Zeiss 18mm f/4 Distagon Zhou Half-Leather case

Leica M9 Zeiss 18mm f/4 Distagon Voigtlander 15-35mm Zoom Finder Zhou half-leather case


ZEISS 18mm f/4 DISTAGON


I've been looking around for a wide-angle for the M9 that would double up as a semi-wide for m4/3 and eventually settled for the Zeiss. The Leicas were just too expensive. I have used the Voigtlander 15mm previously but the Zeiss seemed the better option, giving 36mm on m4/3, which is very close to my favourite 35mm focal length.


It has the usual Zeiss, jaw-dropping sharpness, but suffers from the same vignetting and magenta cast problem that many wide-angles seem to have on the M9. However the free Cornerfix software fixes the raw files for Vignetting and creates new ones, and a few seconds in Photoshop fixes whats left of the Magenta cast. Not ideal, and further proof that Leica owners do "tolerate" a lot, but in the end its a small thing and the images are certainly impressive when processed. I'll post some samples when it stops raining!


Leica M9 Zeiss 18mm f/4 Distagon Voigtlander 15-35mm Zoom Finder Zhou half-leather case


ZHOU HALF-LEATHER CASE


I've been looking for a half-leather case for the Leica for some time to give it a bit more protection. After giving up on trying to order from some mustachioed Italian and his appalling website, who never answered any of my four emails, I got a Zhou one on ebay. Its taken two weeks to get here from Shanghai, and cosmetically its a little rough, but its very well made with good leather and fits the M9 beautifully. Its also 1/5th of the price of the Italian one and will do the job just as well. 


Leica M9 Zeiss 18mm f/4 Distagon Voigtlander 15-35mm Zoom Finder Zhou half-leather case

Wednesday, February 2, 2011

Panasonic GF2 - 14mm f/2.5 Review - Part 7 Video and Conclusion



VIDEO

A short video of me doing what I seem to spend much of life doing. Fiddling with cameras and sitting in front of the computer! I was pleasantly surprised by the GF2's video output. Its actually very good. This was done with the 14mm lens. As you can see, and hear, it autofocuses during shooting, and silently. The "hunting around" has more to do with the fact that its a m4/3 sensor. This continuous AF sounds like a good idea, but in reality I've always found it a nuisance. Because of the more limited depth of field of sensors such as m4/3, APS-C and full-frame, continuous AF is always going to be adjusting all the time. On micro sensor cameras, everything is in focus most of the time so you notice the changes in focus much less, if at all. However for what its worth the GF2 does it.


This video was shot in brightish indoor light and taking stills readings the camera would have been working between ISO 400 and 800. Its actually pretty clean footage. The lens was wide open at f/2.5 for all of it and it all looks very sharp. 


It looks an improvement on the GF1 to me. Its not in the GH2 class, and I'm not sure that all the compression artefacts are a result of my compressing it for YouTube, but with care I think it could produce very good results. 


UPDATE


2nd. Video shot with GF2.





CONCLUSION


GF2 CAMERA


The GF2 is a very nice camera. Contrary to mine and other peoples predictions of a "dumbed down" GF1 it more than holds its own. In many cases transferring functions to the touchscreen makes things easier and quicker, so its not the problem I envisaged it to be. Its nice to handle in practice, and in terms of stills produces images identical to the GF1, and in terms of video, better footage. It has slightly quicker AF than the GF1, and the screen is easier to use in bright sunlight. Its also extremely well made and feels very solid and sturdy.


I looked again at my initial reaction to its announcement - 
http://soundimageplus.blogspot.com/2010/11/panasonic-gf2.html 
I noticed that I did have the good sense to end the piece with the words "You know me. I could even end up buying one!!"


I like it much more than I thought I would and have had a few enjoyable days using it. One of the points I raised in my original piece however does need thinking about. The GF2 works very well with certain lenses. Some of the larger m4/3 lenses are however very unbalanced on it and handle very badly. I used my 45mm f/2.8 macro on it, which was OK but I really wouldn't want to use anything bigger. 


Do I prefer it to a GF1? Well in some situations I do. Its an unobtrusive camera, despite being very red!, and would work very well for street photography. 


14mm f/2.5 LENS


Excellent. I really like this lens. I got some great results with it. This will be a great addition to my m4/3 lens collection and its so light that its possible to take it out all the time in the bag. 


I don't know about the rest of the world, but at the moment in the UK, the GF2 / 14mm kit is at a very good price. If you were thinking about buying the lens then the camera is relatively cheap. Heres a couple of links for the best deals I've found. How long they will stay like this I can't say. Both are reputable dealers who've been around for years.


http://www.mathersoflancashire.co.uk/html/gf-2.html


http://www.srsmicrosystems.co.uk/c/470/Panasonic-GF2-Digital-Cameras.html





Tuesday, February 1, 2011

Panasonic GF2 - 14mm f/2.5 Review - Part 6 Zoom lenses

_1000191


A day with the GF2 and two zoom lenses - First three are with the Olympus 14-150mm.


_1000223


_1000226


Second three with the Olympus 9-18mm.


_1000253


_1000266


_1000256


Both lenses are small and light and work very well with the GF2. Though bigger than the pancakes their light weight makes them a nice match. I used the EVF with the 14-150mm and it was as bad as I remember it. Panasonic seem in no hurry to replace it. Its not a patch on the Olympus equivalent or the built in EVF of the G2, GH2 etc.


Most of these images were taken in the centre of Stratford-Upon-Avon. It was a freezing day with a biting wind and there were not the usual crowds but the 14-150mm zoom in particular was useful in picking out detail. It also let me avoid changing lenses, which was painful in the cold. 


Words - David
Images - David and Ann